In this new edition of George Seferis's poems, the acclaimed translations by Edmund Keeley and Philip Sherrard are revised and presented in a compact, English-only volume. The revision covers all the poems published in Princeton's earlier bilingual edition, George Seferis: Collected Poems (expanded edition, 1981). Winner of the Nobel Prize for Literature in 1963, George Seferis (1900-1971) has long been recognized as a major international figure, and Keeley and Sherrard are his ideal translators. They create, in the words of Archibald MacLeish, a "translation worthy of Seferis, which is to praise it as highly as it could be praised."

Although Seferis was preoccupied with his tradition as few other poets of the same generation were with theirs, and although he was actively engaged in the immediate political aspirations of his nation, his value for readers lies in what he made of this preoccupation and this engagement in fashioning a broad poetic vision. He is also known for his stylistic purity, which allows no embellishment beyond that necessary for precise yet rich poetic statement.

One of the most influential and compelling books in American literature, Walden is a vivid account of the years that Henry D. Thoreau spent alone in a secluded cabin at Walden Pond. This edition--introduced by noted American writer John Updike--celebrates the perennial importance of a classic work, originally published in 1854. Much of Walden's material is derived from Thoreau's journals and contains such engaging pieces from the lively "Where I Lived, and What I Lived For" and "Brute Neighbors" to the serene "Reading" and "The Pond in the Winter." Other famous sections involve Thoreau's visits with a Canadian woodcutter and with an Irish family, a trip to Concord, and a description of his bean field. This is the complete and authoritative text of Walden--as close to Thoreau's original intention as all available evidence allows.


This is the authoritative text of Walden and the ideal presentation of Thoreau's great document of social criticism and dissent.

This new bilingual edition of George Seferis: Collected Poems both supplements and revises the two earlier editions published in 1967 and 1969. It presents for the first time the complete Notes for a 'Week,' " Three Secret Poems, and three later poems that were not collected by the poet himself but whose English translation he authorized during his lifetime.

Originally published in 1982.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book makes available the entire range of Ezra Pounds studies and translations of the technically complex philosophical poems of the thirteenth-century Florentine Guido Cavalcanti, Dante's first friend" and artistic rival.

Originally published in 1983.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

An enchanting retelling of nineteen fairy tales, introduced by popular fantasy writer Philip Pullman

Originally published in 1927, Told Again is an enchanting collection of elegant fairy tales, showcasing the formidable talents of a writer who used magical realism before the term had even been invented. Walter de la Mare (1873–1956) was one of the most celebrated writers of children's literature during the first half of the twentieth century—so much so that W. H. Auden edited a selection of his poems and British children could recite de la Mare’s verses by heart. His abundant literary gifts can be savored once more in this new edition. With marvelous black and white illustrations by A. H. Watson, this volume includes a splendid introduction by Philip Pullman, the contemporary master of fantasy literature.

The significance of the nineteen adapted classics in Told Again lies in de la Mare’s poetic insights and graceful prose, which—as Pullman indicates in his introduction—soften and sweeten the originals, making these tales appropriate for younger readers. In "The Four Brothers," the siblings allow the princess to choose her own husband rather than argue over her; and in "Rapunzel," de la Mare discreetly leaves out details of the prince’s tortured, blind search for his love. Familiar stories, such as "Little Red Riding-Hood," "Rumplestiltskin," and "The Sleeping Beauty" are also made new through de la Mare’s expansive, descriptive, and lyrical prose. Pullman covers important details about de la Mare’s life and captures the stylistic intention behind the rewriting of these wonderful favorites.

Reviving the work of a writer who exemplified a romantic vision and imagination, Told Again is a remarkable retelling of fairy tales touched by mystery and magic.

The original vision of Grimms' tales in English for the first time

When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö.

From "The Frog King" to "The Golden Key," wondrous worlds unfold—heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique—they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.

A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.

One of the great classics of European literature, Faust is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man’s pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe’s own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress.

Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins’s translation presents the formal and rhythmic dexterity of Faust in all its richness and beauty, without recourse to archaisms or interpretive elaborations.

Featuring a new introduction by David Wellbery, this Princeton Classics edition of Faust is the definitive English version of a timeless masterpiece.

A new edition of the classic cookbook for groups of six to fifty guests

When Cooking for Crowds was first published in 1974, home cooks in America were just waking up to the great foods the rest of the world was eating, from pesto and curries to Ukrainian pork and baklava. Now Merry White's indispensable classic is back in print for a new generation of readers to savor, and her international recipes are as crowd-pleasing as ever—whether you are hosting a large party numbering in the dozens, or a more intimate gathering of family and friends.

In this delightful cookbook, White shares all the ingenious tricks she learned as a young Harvard graduate student earning her way through school as a caterer to European scholars, heads of state, and cosmopolitans like Jacqueline Kennedy Onassis. With the help of her friend Julia Child, the cook just down the block in Cambridge, White surmounted unforeseen obstacles and epic-sized crises in the kitchen, along the way developing the surefire strategies described here. All of these recipes can be prepared in your kitchen using ordinary pots, pans, and utensils. For each tantalizing recipe, White gives portions for serving groups of six, twelve, twenty, and fifty.

Featuring a lively new introduction by White and Edward Koren's charming illustrations, Cooking for Crowds offers simple, step-by-step instructions for easy cooking and entertaining on a grand scale—from hors d'oeuvres to desserts.

C. P. Cavafy (1863-1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature.

This revised bilingual edition of Collected Poems offers the reader the original Greek texts facing what are now recognized as the standard English translations of Cavafy's poetry. It is this translation that best captures the poet's mixture of formal and idiomatic language and that preserves the immediacy of his increasingly frank treatment of homosexual eroticism, his brilliant re-creation of history, and his astute political ironies. This new bilingual edition also features the notes of editor George Savidis and a new foreword by Robert Pinsky.

Göran Sonnevi is one of Sweden's most celebrated, respected, and prolific poets. For this first book-length selection of Sonnevi to appear in English, Rika Lesser has chosen works written between 1971 and 1989--although most of the poems come from the last decade and from Sonnevi's last three books, which form part of the single oändlig [unending/infinite/interminable] poem that he continues to write from book to book. Of Lesser's introduction to the work, Richard Howard writes, "Lesser's wonderful prose texts at the outset provide not only an ingress into complex and baffling matter but one of the most determined statements of the translator's text since Walter Benjamin."

From "Åby, Öland; 1982"

We are here in the ultimate lives of our bodies
negations of the ultimate negation
We are complete parts of the world
We rise up out of infinity
like the limestone flats from the sea Like the stars
We are denials of infinity
One day we shall reach all the way there

Back in print for the first time in decades, Auden’s National Book Award–winning poetry collection, in a critical edition that introduces it to a new generation of readers

The Shield of Achilles, which won the National Book Award in 1956, may well be W. H. Auden’s most important, intricately designed, and unified book of poetry. In addition to its famous title poem, which reimagines Achilles’s shield for the modern age, when war and heroism have changed beyond recognition, the book also includes two sequences—“Bucolics” and “Horae Canonicae”—that Auden believed to be among his most significant work. Featuring an authoritative text and an introduction and notes by Alan Jacobs, this volume brings Auden’s collection back into print for the first time in decades and offers the only critical edition of the work.

As Jacobs writes in the introduction, Auden’s collection “is the boldest and most intellectually assured work of his career, an achievement that has not been sufficiently acknowledged.” Describing the book’s formal qualities and careful structure, Jacobs shows why The Shield of Achilles should be seen as one of Auden’s most central poetic statements—a richly imaginative, beautifully envisioned account of what it means to live, as human beings do, simultaneously in nature and in history.

From an award-winning poet, an exciting new collection that explores exile and return, from North Africa to North America

In Aurora Americana, Myronn Hardy, an American poet who moved back to the United States after living for years in Morocco, reflects on exile and return as he describes the experience of leaving North Africa and rediscovering a North America both recognizable and unrecognizable. What does it mean to feel exiled both away from and at “home”? What does it mean to miss something?

In forms such as the sonnet, ghazal, and triolet, Aurora Americana takes up the distant and recent past of the United States, from Thomas Jefferson to the deadly “Unite the Right” march in Charlottesville, Virginia. But the book also meditates on smaller, momentary encounters across racial and national barriers, from evocations of Francophone Africa to a screening of Black Panther in Portugal for a mostly white audience. Allusions to Fannie Lou Hamer, Frantz Fanon, Prince, John Coltrane, Alessandro de’ Medici, Ahmed Zaki, Modesto Brocos y Gómez, Nasser Zefzafi, and others anchor the collection. With poems set at or near dawn, Aurora Americana explores an ominous yet hopeful new morning in America, one in which potential cataclysm exists alongside possibility and change.

A collection of new and startlingly original essays from an acclaimed poet, essayist, and playwright

Jay Wright is widely recognized as one of the most important American poets of the past half century. But in recent years, he has also written a series of unconventional essays that he calls “examination papers,” which he defines as “designated inquiries to myself.” In these linked essays, most of which resemble prose-poems, with only a few lines set on each page, Wright explores abiding artistic and philosophical concerns, including language, aesthetic form, knowledge, time, and death. Soul and Substance presents these pieces for the first time.

Drawing on everything from African mythology to mathematical axioms, Wright reflects on a wide range of topics: the difficulties of defining and confronting death; the challenge of transcending one’s own consciousness; the nature of rhythm and the structure of space; and the relationship among the self, the body, and the material world. Throughout, the book examines the limits of human knowledge and the implications of our always imperfect understanding.

Experimental and original, Soul and Substance is an important addition to the work of a major writer.

The classic book that shares the enjoyment of mathematics with readers of all skill levels

What is so special about the number 30? Do the prime numbers go on forever? Are there more whole numbers than even numbers? The Enjoyment of Math explores these and other captivating problems and puzzles, introducing readers to some of the most fundamental ideas in mathematics. Written by two eminent mathematicians and requiring only a background in plane geometry and elementary algebra, this delightful book covers topics such as the theory of sets, the four-color problem, regular polyhedrons, Euler’s proof of the infinitude of prime numbers, and curves of constant breadth. Along the way, it discusses the history behind the problems, carefully explaining how each has arisen and, in some cases, how to resolve it. With an incisive foreword by Alex Kontorovich, this Princeton Science Library edition shares the enjoyment of math with a new generation of readers.

In the age of AI, why our future depends on better understanding what makes us human

We are at a crossroads in history. If we hope to share our planet successfully with one another and the AI systems we are creating, we must reflect on who we are, how we got here, and where we are heading. The Importance of Being Educable puts forward a provocative new exploration of the extraordinary facility of humans to absorb and apply knowledge. The remarkable “educability” of the human brain can be understood as an information processing ability. It sets our species apart, enables the civilization we have, and gives us the power and potential to set our planet on a steady course. Yet it comes hand in hand with an insidious weakness. While we can readily absorb entire systems of thought about worlds of experience beyond our own, we struggle to judge correctly what information we should trust.

In this visionary book, Leslie Valiant argues that understanding the nature of our own educability is crucial to safeguarding our future. After breaking down how we process information to learn and apply knowledge, and drawing comparisons with other animals and AI systems, he explains why education should be humankind’s central preoccupation.

Will the unique capability that has been so foundational to our achievements and civilization continue to drive our progress, or will we fall victim to our vulnerabilities? If we want to play to our species’ great strength and protect our collective future, we must better understand and prioritize the vital importance of being educable. This book provides a road map.

The year’s finest mathematical writing from around the world

This annual anthology brings together the year’s finest mathematics writing from around the world—and you don’t need to be a mathematician to enjoy the pieces collected here. These essays—from leading names and fresh new voices—delve into the history, philosophy, teaching, and everyday aspects of math, offering surprising insights into its nature, meaning, and practice, and taking readers behind the scenes of today’s hottest mathematical debates.

Here, Viktor Blåsjö gives a brief history of “lockdown mathematics”; Yelda Nasifoglu decodes the politics of a seventeenth-century play in which the characters are geometric shapes; and Andrew Lewis-Pye explains the basic algorithmic rules and computational procedures behind cryptocurrencies. In other essays, Terence Tao candidly recalls the adventures and misadventures of growing up to become a leading mathematician; Natalie Wolchover shows how old math gives new clues about whether time really flows; and David Hand discusses the problem of “dark data”—information that is missing or ignored. And there is much, much more.

C. P. Cavafy (1863–1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature. Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text.

Translated and Introduced by Magnus J. Krynski and Robert A. Maguire Regarded as one of the best representatives since World War II of the rich and ancient art of poetry in Poland, Wislawa Szymborska (1923-2012) is, in the translators' words, "that rarest of phenomena: a serious poet who commands a large audience in her native land." The seventy poems in this bilingual edition are among the largest and most representative offering of her work in English, with particular emphasis on the period since 1967. They illustrate virtually all her major themes and most of her important techniques.


Describing Szymborka's poetry, Magnus Krynski and Robert Maguire write that her verse is marked by high seriousness, delightful inventiveness, a prodigal imagination, and enormous technical skill. She writes of the diversity, plenitude, and richness of the world, taking delight in observing and naming its phenomena. She looks on with wonder, astonishment, and amusement, but almost never with despair.

A bilingual volume that reveals an intriguing world of courtly love and satire in medieval Portugal and Spain

The rich tradition of troubadour poetry in western Iberia had all but vanished from history until the discovery of several ancient cancioneiros, or songbooks, in the nineteenth century. These compendiums revealed close to 1,700 songs, or cantigas, composed by around 150 troubadours from Galicia, Portugal, and Castile in the thirteenth and early fourteenth centuries. In Cantigas, award-winning translator Richard Zenith presents a delightful selection of 124 of these poems in English versions that preserve the musical quality of the originals, which are featured on facing pages. By turns romantic, spiritual, ironic, misogynist, and feminist, these lyrics paint a vibrant picture of their time and place, surprising us with attitudes and behaviors that are both alien and familiar.

The book includes the three major kinds of cantigas. While cantigas de amor (love poems in the voice of men) were largely inspired by the troubadour poetry of southern France, cantigas de amigo (love poems voiced by women) derived from a unique native oral tradition in which the narrator pines after her beloved, sings his praises, or mocks him. In turn, cantigas de escárnio are satiric, and sometimes outrageously obscene, lyrics whose targets include aristocrats, corrupt clergy, promiscuous women, and homosexuals.

Complete with an illuminating introduction on the history of the cantigas, their poetic characteristics, and the men who composed and performed them, this engaging volume is filled with exuberant and unexpected poems.